JEAN-MICHEL OTHONIEL
FRAGILE BEAUTY

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Jean-Michel Othoniel, Gold Lotus sculptures adorning the waters of the imperial garden Seoul Korea (Image_ CJY Art Studio)

Jean-Michel Othoniel, born in 1964 in Saint-Étienne, France, is an internationally acclaimed contemporary artist, celebrated for his evocative glass sculptures and poetic installations. Renowned for blending strength with fragility, Othoniel uses glass to explore themes of love, loss, and the complexities of the human experience.



Othoniel’s artistic journey is deeply influenced by his fascination with materials—particularly blown glass, which has been central to his work since the early 1990s. Drawing inspiration from molecular shapes, his work explores the delicate balance between beauty and imperfection, vulnerability and resilience. As Othoniel himself puts it, “When you look more closely, you see that the pearls aren’t perfect; they are slightly scarred… At first, they appear seductive, but then you realize the symbolism touches on passion, pain, and loss.” This is the essence of Othoniel’s work: his ability to weave profound narratives from the smallest details, reflecting the ever-evolving nature of life.



One of Othoniel’s defining qualities is his mastery of captivating audiences through the simplest of objects. His most recent exhibitions illustrate this perfectly, juxtaposing light and dark forms to evoke the duality of human existence—creation and destruction, love and suffering, fragility and strength. As he notes, “The energy and meaning I infuse into these works reflect my reflections on the lighter and darker parts of humanity—as both a site for creation and destruction.”



For Othoniel, his art is not just about glass; it’s about what glass represents. In a recent interview with BOMB Magazine, he described his relationship with the material as both literal and metaphorical, viewing glass as a symbol of human fragility. “Vulnerability can be a form of protection,” he explains. “By exposing your vulnerability, you may actually shield yourself.” He likens working with glass to caring for a delicate artifact: “When I see a small sculpture in clay from three thousand years ago, I think about how many people must have loved and cared for it to survive until today. Living with glass is similar.” This reverence for fragility, and the care required to preserve it, is a recurring theme in his work, underscoring the tenderness inherent in everyday life.



Jean-Michel Othoniel’s art is a study in contrasts. His creations are monumental yet intimate, political yet poetic, and fragile yet enduring. Each sculpture invites viewers into a world where opposites coexist in harmony, much like life itself. Whether exhibited in grand public spaces or quiet galleries, his works transform their surroundings and stir the soul. In every piece, Othoniel offers a reflection of the human condition—fragile, beautiful, and powerful.

Jean-Michel Othoniel, Double Collier Emeraude, 2013, Murano glass, stainless steel, 129.9 x 31.5 x 23.6

Jean-Michel Othoniel, Double Collier Emeraude, 2013, Murano glass, stainless steel, 129.9 x 31.5 x 23.6

Jean-Michel Othoniel, Rivière Blanche_ 2004 Opaque Murano glass, rigid aluminum structure, 10.5 feet x 59 inches x 19 3_4 inches

Jean-Michel Othoniel, Rivière Blanche_ 2004 Opaque Murano glass, rigid aluminum structure, 10.5 feet x 59 inches x 19 3_4 inches

Jean-Michel Othoniel, View of the exhibition Perrotin, Shanghai, 2019

Jean-Michel Othoniel, View of the exhibition Perrotin, Shanghai, 2019

Jean-Michel Othoniel, Kiku - Hiwamoegiiro (Siskin sprout yellow), 2019, Mirrored glass, stainless steel, 49 x 49 x 47 cm

Jean-Michel Othoniel, Kiku - Hiwamoegiiro (Siskin sprout yellow), 2019, Mirrored glass, stainless steel, 49 x 49 x 47 cm

Jean-Michel Othoniel, Double collier blanc, 2008, Murano glass, 140

Jean-Michel Othoniel, Double collier blanc, 2008, Murano glass, 140

Jean-Michel Othoniel, My Bed, 2003, Murano glass, steel, aluminum, braid, soft bedding, felt, 114x 94.5x 75

Jean-Michel Othoniel, My Bed, 2003, Murano glass, steel, aluminum, braid, soft bedding, felt, 114x 94.5x 75

Jean-Michel Othoniel, Kiosque des Noctambules (installed at the Paris Metro entrance),2000, Salviati glasswork

Jean-Michel Othoniel, Kiosque des Noctambules (installed at the Paris Metro entrance),2000, Salviati glasswork

Artist image

JEAN-MICHEL OTHONIEL

Born Saint-Étienne, France

Lives and works Paris, France

Education

Cergy-Pontoise (ENSACP)

BIBLIOGRAPHY

peterfreemaninc.com/exhibitions/en-travaux/press-release 

othoniel.fr/en/othoniel/biography. 

“Jean-Michel Othoniel,” Pace. 
perrotin.com/artists/Jean-Michel_Othoniel/9. 

Yerebakan, Osman Can. “Jean-Michel Othoniel by Osman Can Yerebakan
A site-specific glass sculpture installation,” BOMB Magazine, September 12, 2022.